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What a watershed feat Peele has pulled off, delivering such a gloriously twisted thriller that simultaneously has so much to say about the state of affairs in post-Obama America.
“Get Out” , so to speak, and though one could argue that it crosses the line, the film’s subversive p.o.v. Executive producers: Raymond Mansfield, Couper Samuelson, Shaun Redick, Jeanette Volturno.
In theory, horror may seem like a stretch for Peele (one half of the “Key and Peele” sketch-comedy duo), and yet both genres feed on the desire to provoke a physical reaction from audiences. Their love is color-blind, but the world isn’t — and Chris is rightfully wary of how other people might react to seeing them together.
By revealing how the ruling majority gives freedoms, but they can also take them away, Peele seizes upon more than just a terrifying horror-movie premise; he exposes a reality in which African-Americans can never breathe easy.
I grew up in Palo Alto, the predominately white, affluent city in Northern California that’s home to Stanford University.