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What a watershed feat Peele has pulled off, delivering such a gloriously twisted thriller that simultaneously has so much to say about the state of affairs in post-Obama America.

“Get Out” , so to speak, and though one could argue that it crosses the line, the film’s subversive p.o.v. Executive producers: Raymond Mansfield, Couper Samuelson, Shaun Redick, Jeanette Volturno.

In theory, horror may seem like a stretch for Peele (one half of the “Key and Peele” sketch-comedy duo), and yet both genres feed on the desire to provoke a physical reaction from audiences. Their love is color-blind, but the world isn’t — and Chris is rightfully wary of how other people might react to seeing them together.

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By revealing how the ruling majority gives freedoms, but they can also take them away, Peele seizes upon more than just a terrifying horror-movie premise; he exposes a reality in which African-Americans can never breathe easy.

I grew up in Palo Alto, the predominately white, affluent city in Northern California that’s home to Stanford University.